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The Odes of Solomon consist of a series of Christian hymns believed to have been composed in the late first century AD. This compilation is entirely distinct from the Psalms of Solomon, a set of 18 psalms created around 60 BC in reaction to the Roman invasion of Israel. The Odes of Solomon were not included in the canon of Scripture, nor were they deemed divinely inspired by the early Christian church. Historians are uncertain as to when or why the odes became linked with the name of Solomon, as the text itself does not attribute authorship to him.
Similar to all hymns, the Odes of Solomon convey fundamental aspects of faith. The poetic form of the odes facilitates the learning and retention of the doctrines they contain. Like any other extrabiblical material, there are elements in these songs that raise questions and should be examined critically. Some have proposed that certain odes endorse Gnostic heresies, although explicit Gnostic teachings are not present in the Odes of Solomon.
Of particular interest is how the Odes of Solomon portray the Trinity. Worship is directed towards the Father, Son, and Spirit at different points. Basic representations of Trinitarian concepts are also present in these songs. This is significant, considering that these works were composed around the same period when the New Testament canon was being finalized. Ignatius of Antioch, possibly a disciple of the apostle John, is thought to have referenced the Odes of Solomon in his writings. This historical link helps to clarify that Trinitarian theology was not developed centuries after Christ; rather, it was a biblical doctrine that was formalized in response to heresy.