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Isaiah 44:13 - English Standard Version 2016

13 The carpenter stretches a line; he marks it out with a pencil. He shapes it with planes and marks it with a compass. He shapes it into the figure of a man, with the beauty of a man, to dwell in a house.

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Tuilleadh leaganacha

King James Version (Oxford) 1769

13 The carpenter stretcheth out his rule; he marketh it out with a line; he fitteth it with planes, and he marketh it out with the compass, and maketh it after the figure of a man, according to the beauty of a man; that it may remain in the house.

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Amplified Bible - Classic Edition

13 The carpenter stretches out a line, he marks it out with a pencil or red ocher; he fashions [an idol] with planes and marks it out with the compasses; and he shapes it to have the figure of a man, with the beauty of a man, that it may dwell in a house.

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American Standard Version (1901)

13 The carpenter stretcheth out a line; he marketh it out with a pencil; he shapeth it with planes, and he marketh it out with the compasses, and shapeth it after the figure of a man, according to the beauty of a man, to dwell in a house.

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Common English Bible

13 A carpenter stretches out a string, marks it out with a stylus, fashions it with carving tools, and marks it with a compass. He makes it into a human form, like a splendid human, to live in a temple.

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Catholic Public Domain Version

13 The maker of wood has extended his ruler. He has formed it with a plane. He has made it with corners, and he has smoothed its curves. And he has made the image of a man, a seemingly beautiful man, dwelling in a house.

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Douay-Rheims version of The Bible - 1752 version

13 The carpenter hath stretched out his rule, he hath formed it with a plane. He hath made it with corners and hath fashioned it round with the compass: and he hath made the image of a man, as it were, a beautiful man, dwelling in a house.

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Isaiah 44:13
18 Tagairtí Cros  

Laban had gone to shear his sheep, and Rachel stole her father’s household gods.


And now you have gone away because you longed greatly for your father’s house, but why did you steal my gods?”


Anyone with whom you find your gods shall not live. In the presence of our kinsmen point out what I have that is yours, and take it.” Now Jacob did not know that Rachel had stolen them.


So Jacob said to his household and to all who were with him, “Put away the foreign gods that are among you and purify yourselves and change your garments.


The craftsman strengthens the goldsmith, and he who smooths with the hammer him who strikes the anvil, saying of the soldering, “It is good”; and they strengthen it with nails so that it cannot be moved.


He cuts down cedars, or he chooses a cypress tree or an oak and lets it grow strong among the trees of the forest. He plants a cedar and the rain nourishes it.


So I went in and saw. And there, engraved on the wall all around, was every form of creeping things and loathsome beasts, and all the idols of the house of Israel.


And before them stood seventy men of the elders of the house of Israel, with Jaazaniah the son of Shaphan standing among them. Each had his censer in his hand, and the smoke of the cloud of incense went up.


Then he said to me, “Son of man, have you seen what the elders of the house of Israel are doing in the dark, each in his room of pictures? For they say, ‘The Lord does not see us, the Lord has forsaken the land.’”


Being then God’s offspring, we ought not to think that the divine being is like gold or silver or stone, an image formed by the art and imagination of man.


and exchanged the glory of the immortal God for images resembling mortal man and birds and animals and creeping things.


“‘Cursed be the man who makes a carved or cast metal image, an abomination to the Lord, a thing made by the hands of a craftsman, and sets it up in secret.’ And all the people shall answer and say, ‘Amen.’


And there you will serve gods of wood and stone, the work of human hands, that neither see, nor hear, nor eat, nor smell.


And he said, “You take my gods that I made and the priest, and go away, and what have I left? How then do you ask me, ‘What is the matter with you?’”


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